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DTSTART;TZID=Europe/London:20251015T090000
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DTSTAMP:20260411T161225
CREATED:20251014T160522Z
LAST-MODIFIED:20251014T160522Z
UID:11721-1760518800-1776618000@www.bcsa.co.uk
SUMMARY:Sparks of Freedom
DESCRIPTION:Sparks of Freedom (Paprsky svobody) — that is the name of a new exhibition at Brno’s Moravian Museum. It tells how British academics and intellectuals reached across the Iron Curtain to support Czech dissidents in the 1980s\, focusing on the work of the Jan Hus Educational Foundation and the quiet acts of courage that helped keep independent thought alive under communist rule. \nThe curators of the Department of the History of Culture with an Anti-Totalitarian Focus (LINK) present the story of solidarity between the British and Brno people. Its roots date back to 1980\, when an organization called the Jan Hus Educational Foundation was established in Oxford\, which systematically provided material and intellectual support to Czechoslovak dissidents. In Brno\, co-operation began in 1981; in December 1984 the first seminar was held\, and mutual cooperation lasted without interruption until the Velvet Revolution. In 1990\, the Czechoslovak Jan Hus Educational Foundation was established in Brno\, which continues its activities under the name of the Vzdělávací nadace Jana Husa to this day. \nThe focuses on Brno events over five years in the second half of the 1980s. It presents important areas in which the British provided material and intellectual assistance to the unofficial cultural world in Brno. Thanks to the Jan Hus Educational Foundation\, British academics were able to come and give lectures in private households during the normalization period. The British also helped in the sphere of samizdat\, video projections of banned or unavailable foreign films in Czechoslovakia\, and supported independent Brno artists in the field of music and visual arts. The exhibition and the catalogue present topics that have not yet been given the attention they deserve. They reveal not only the blank spots of Brno’s cultural history\, but also the strong bonds of British-Czech cooperation in the persistent search for freedom. \nFor the full story see How Oxford philosophers supported Czech dissidents — new Brno exhibition tells the story | Radio Prague International \nBishop’s Courtyard\, Marble Hall \nOpening hours  \nWednesday to Friday 9am -5pm \nSaturday 10am-5pm \nSunday 1-5pm \n  \nphoto: Vít Pohanka\, Radio Prague International \n 
URL:https://www.bcsa.co.uk/event/sparks-of-freedom/
LOCATION:Moravian Museum\, Muzejní 1\, Brno\, 659 37\, Czech Republic
ATTACH;FMTTYPE=image/jpeg:https://www.bcsa.co.uk/wp-content/uploads/2025/10/Sparks-of-Freedom.jpg
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260113T190000
DTEND;TZID=Europe/London:20260115T210000
DTSTAMP:20260411T161225
CREATED:20250420T163320Z
LAST-MODIFIED:20250420T163320Z
UID:11099-1768330800-1768510800@www.bcsa.co.uk
SUMMARY:Janáček's The Makropulos Affair
DESCRIPTION:A 300-year-old woman confronts mortality\, identity and lost love in this concert performance of Janáček’s intense operatic drama. \n\n\n\n\nThe Makropoulos Affair contains some of Janáček’s most compelling music\, starting with its Prelude that hints at the 16th-century birth year of Emilia Marty\, complete with pounding timpani and fanfares. From there\, Janáček spins a taut drama culminating in a heartbreaking scene as Emilia finally confesses to her identity. \nThis is the fourth Janáček opera performed by Sir Simon Rattle and the London Symphony Orchestra. This year’s cast is as exceptional as ever\, with soprano Marlis Petersen as the emotionally complex Emilia\, and tenor Aleš Briscein – a veteran of Janáček’s distinctive musical style – as Albert Gregor\, the young lawyer enamoured with Emilia. \n  \nTuesday 13 & Thursday 15 January\, 7-9.05pm\, no interval
URL:https://www.bcsa.co.uk/event/janaceks-the-makropulos-affair/
LOCATION:Barbican Centre\, Silk Street\, London\, EC2Y 8DS\, United Kingdom
ATTACH;FMTTYPE=image/jpeg:https://www.bcsa.co.uk/wp-content/uploads/2025/04/Rattle-LSO.jpg
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